Five tracks built from the detritus of earlier selves: childhood keyboards, borrowed cassette decks, and recordings pulled from a decade-old hard drive. Each piece reprocesses the past into something unfamiliar; familiar timbres stretched, distorted, and reassembled until only the residue of memory remains.

Five studies in domestic archaeology. Toy instruments, antique mechanisms, and discarded objects become raw material for rhythmic and textural exploration, each track built from a single found or forgotten sound source, processed until something new emerges.

Five studies drawing their material from the immediate and incidental: a dog walk, a woodland path, a drive through the New Forest. Field recordings and found sounds form the harmonic foundation; the landscape dictates the notes.

Spatial and temporal displacement across five studies in repetition. Octave phrases, choral fragments, and two synth tones recorded in a Highland cabin form the basis for investigations into phase, layering, and the elasticity of sound in space.

An addendum in five parts. The remaining compositions from January 2023, gathered into a coda, movement is the connective thread: physical, spatial, sonic. From the nocturnal hum of a late train into Waterloo to the layered resonance of a gourd kalimba, these pieces occupy the space between arrival and departure.