JnfH (Jeremy n f Hubbard) is a sound and audiovisual artist, creative technologist, composer and musician working with electroacoustic composition, spatial audio installation, video art, and interactive experience development and performances. Much of his creative practice explores sound as a temporal medium. This inescapable quality, stretching music's temporal nature and surrounding the listener in ways other visual artforms cannot, shapes much of his work.

His technical practice combines field recording, spatial, ambisonic & binaural production, electromagnetic signal recording, creative video production, and interactive systems development. He builds custom tools for spatial audio composition and online and in person interactive experiences that unite sound and image in new and captivating ways. Previously based in the New Forest, Hampshire & London and currently based in the Scottish Highlands, Jeremy also works professionally as videographer and sound recordist through his production company NightOwl | Creative Film & Sound

​

Recent releases include browser-based audiovisual versions of "Jökulvatn" (originally premiered as an installation piece at Somerset House in 2016) and "Threshold | Loch Insh", both temporal electroacoustic works featuring custom coded systems with synchronized visual elements. 

​

Drawing on two decades as both amateur and professional choral singer and concert recordist, extensive work explores the human voice as a musical instrument, compositional tool and technical phenomenon. The ongoing "Vocal Abstractions" series investigates experimental vocal processing, timbral transformation and spatial layering. Previous work include his Choral Explorations series which explore heterophonic layering and the spatial and temporal arrangement of voices around a physical space using combination of recorded voices and live performers that interreact with the unique tonal and acoustic characteristics of the performance venue. 
 

His practice also investigates electromagnetic fields and hidden signals within urban infrastructure, capturing the invisible sonic world of public transport systems and architectural spaces. Upcoming releases include BUSmusic, TUBEMusic, and the .em (dot em) series (interactive development in progress). Recently released: JnfH_0123: Volume I : Nostalgia, five electroacoustic studies from daily compositional practice in January 2023, exploring temporal manipulation and time-based processing. Four more volumes to follow throughout 2026. 2026 is about finally releasing the back catalogue alongside creating new immersive experiences for online platforms and physical spaces.

​

JnfH’s installation works have previously been exhibited at Somerset House, The Barbican, Bloomberg Space and more. Collaborative work includes Towards the Mean (Barbican, 2015), The Gift - Melanie Manchott (2014) and a 4-channel immersive soundscape for CHANTAGE's performance of Ben See's "Balloon Tree" (2024). Environmental recordings positioned around the audience during the live choral performance.

​

EDUCATION: BMus (Hons) Electronic Music & Vocal Studies, Guildhall School of Music & Drama

​

RESERCH & CASE STUDIES (Coming Soon)

​

If you have any questions or would like to discuss a possible collaboration, installation or for future commissions, please do get in touch at:

jnfhubbard@gmail.com

​

JnfH on SOUNDCLOUD || JnfH on BANDCAMP || JnfH on YOUTUBE || JnfH on Kofi